![]() Once we saw where we were going to be doing - which is a pretty cool half-found and half-built set - it was just a matter of getting in there and filling out the space, and I remember this was a big point of contention, how far do we take it on the first day, because we shot it over two days. But I think it's the journey that we've been on for all of these years is the reason we felt like we could pull it off. It was like 11-12 pages long, one location, the entire cast essentially at different points. So in a way, I think we reverse-engineered an entire Psych movie out of this sequence. ![]() ![]() RODAY RODRIGUEZ: I think this sequence was the genesis for the movie, and Steve had in his mind the clearest from jump.
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